An exhibition, at downtown Beijing's Star Theater, presents Peking Opera through contemporary arts. Bringing
together about 40 works from 9 Chinese artists focusing on the old art
form, the exhibition, which kicked off on Nov 14 and runs until Dec 24,
is part of the ongoing Xiqu Opera Black Box Festival. According
to Guan Qi, curator of the exhibition, since 2017, the exhibition aims
at bringing ancient Chinese operas closer to audiences, especially young
people interested in contemporary arts. Xiqu
means local opera. This year, the festival focuses on Peking Opera,
since this year marks the 230th anniversary of the birth of the art
form. Peking Opera, or jingju, has a
history of more than 200 years and was recognized as an Intangible
Cultural Heritage of Humanity by UNESCO in 2010. It brings together art
forms such as singing, dancing, martial arts and acrobatics. The
performances are characterized by elaborate movements, extravagant
makeup and high-pitched singing. In
1790, four famous Anhui Opera troupes came to Beijing to celebrate the
80th birthday of Emperor Qianlong of the Qing Dynasty (1644-1911). In
around 1840, Peking Opera began to formally take shape, growing rapidly
during the reign of Empress Dowager Cixi (1835-1908), an ardent Chinese
opera lover. After this, the art form went from strength to strength,
with troupes being formed in Beijing, Tianjin and Shanghai. "We
started to prepare for this exhibition a year ago. At least 80 percent
of the artists, whose art pieces are being displayed during the
exhibition, have worked with us before. They used different art forms to
tell stories about Peking Opera, such as oil paintings, traditional
Chinese ink paintings and installations," says Guan, who is an
independent curator. "Many
young artists have less knowledge about Peking Opera. We invited them
to watch Peking Opera shows, let them observe and talk to Peking Opera
performers backstage. It's a research process for them, which is very
rewarding," says Guan. One of the art
pieces on display is an installation by artist Huang Sida, which
combines oil paintings portraying the scenes of the four Anhui Opera
troupes coming to Beijing and a Chinese drum, which is usually used in
the band accompanying Peking Opera performances. What intrigues the
audiences is sparkling salt crystals spread under the drum. According to
Guan, it indicates the fact that salt businessmen played an important
role of financially supporting the Anhui Opera troupes to Beijing then. Artist
Li Yuerou, who has her work displayed in the exhibition series for the
first time, also portrays the scene of the four Anhui Opera troupes
coming to Beijing with a 10-meter-long scroll digital painting. A
highlight of the exhibition is a traditional Chinese ink painting by
82-year-old artist Li Wenpei. The painting portrays the legendary Tang
Dynasty (618-907) concubine Yang Yuhuan in the classic Peking Opera
piece, The Drunken Concubine. Peking Opera master Mei Lanfang
(1894-1961) was known for playing the role and hailed as the "Four Great
Dan" in the history of the art. Mei
Baojiu (1934-2016), the son of Mei Lanfang, who also played the role,
wrote an inscription in calligraphy on the painting, praising the
painter's techniques. Li, used to work as a stage designer at China
National Peking Opera Company for four decades. There
are 18 stage photos of Peking Opera masters, including Mei Lanfang, Tan
Fuying (1906-1977) and Li Shaochun (1919-1975), from a photo studio in
Tianjin during the 1940s, displayed in the exhibition. According to
Guan, since Star Theater has been dedicated to presenting Chinese
traditional operas, the theater has collected a number of old photos of
Chinese opera artists. Teachers from
National Academy of Chinese Theater Arts have made two animations based
on classic Peking Opera stories: Shi Qian Dao Bao, which is about thief
Shi Qian, a fictional character from the 14th-century Chinese classic
novel Water Margin by Shi Nai'an, and San Cha Kou, which presents a
fight between two men in the darkness. "We
try to capture the essence of Peking Opera with the latest animation
technology, which is a way to attract young fans," says Ma Chi, who is a
teacher of New Media Arts department of National Academy of Chinese
Theatre Arts. Last year, along with his students, Ma displayed an
animation work based on classic Kunqu Opera piece, The Peony Pavilion."
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